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How to Make Pixel Art on a Large Canvas Sai

Practice yous like pixel art? In this tutorial I volition guide you through the process of creating pixel fine art, and we will make a magical creature known every bit a Pegasus. Lots of pictures volition help you to go the idea of working with pixels in Paint Tool SAI. Let'due south do information technology!

1. Create a Make clean Outline

Step 1

Our starting time step is to create a New Canvas with 450 ten 450 px resolution. We don't demand a big canvas, because we volition piece of work with pixels. Take thePen tool and start sketching! Because more often than not a Pegasus is a equus caballus with wings, discover some references of horses and bird'due south wings.

You tin detect some inspirational photos here:

  • Horses
  • Wings
  • Pegasus

We tin add motion to the image with a dynamic pose and flight locks of mane and tail. When an image has motion, it is e'er more interesting and fun.

As well remember: the clearer your sketch, the easier it will be to pixelate it, so endeavor to make tidy lines.

Sketch of the future illustration Sketch of the future illustration Sketch of the future illustration

Pace two

To create the bones construction, nosotros will make a blackness outline. Fix the opacity of the sketch layer to 20-30% and create a New Layer on top. Have our Binary tool (in some versions of the program it tin exist called thePixel tool), and beginning to pixel the outline. Your brush should accept i px size and 100% opacity—make sure of it. Try to make your lines as smooth equally possible.

At offset you can experiment on a different layer or canvases, until y'all feel confident working with theBinary tool and satisfied with your outline. Anyhow, yous tin can e'er erase all mistakes and move on.

Start drawing pixel outline Start drawing pixel outline Start drawing pixel outline

Stride 3

When cartoon wings, information technology would probably be ameliorate to create another layer and draw pixels there, then you lot don't have to worry about messing about with lines. So Merge downwardly all layers except the sketch layer—you can either delete it or plough off its visibility.

Finished pixel outline Finished pixel outline Finished pixel outline

2. Pixel Coloring of the Pegasus

Step i

At present that our pixel outline is consummate, we can begin to fill our Pegasus with color. Get-go, have the Magic Wand and select the part you want to colour, such as the body or tail. And so create aNew Layer on pinnacle and, using theBucket tool, fill in the selected surface area.

Echo these steps with all parts of the Pegasus. And it would be better if you lot make a dissever layer for each large part, because it makes coloring work so much easier.

Filling with basic colors Filling with basic colors Filling with basic colors

Pace 2

Zoom in on your drawing to about 300-400%. While working with theBucket tool, you can come across that there are some gaps of unmarried pixels in some places. Nosotros'll have to paint them separately with theBinary tool.

Filling gaps with pixels Filling gaps with pixels Filling gaps with pixels

Step 3

Subsequently finishing work with the base colors, nosotros can move straight on to creating shadows. On top of our body base color layer, create aNew Layer and Clipping group it to the base of operations color layer. Now we tin paint in this area without worrying about stepping out into other areas.

Basic shadows Basic shadows Basic shadows

Step 4

When drawing with pixels, you can get a desire to use many colors to make it look more realistic, just try to avoid this. Information technology is amend to use two colors for shadows and ii colors for light and likewise a base of operations color. Information technology will make your pixel fine art expect cleaner.

Pixel coloring of the tail Pixel coloring of the tail Pixel coloring of the tail

Also, you tin can experiment with adding one more bright color for highlights. This new color can exist completely different from your main color palette—for example, I chose this emerald greenish, and it worked well in creating an interesting appeal.

And pixel coloring of the tail is complete! Well done!

Finished pixel coloring of the tail Finished pixel coloring of the tail Finished pixel coloring of the tail

Pace 5

Now go to the mane—basically repeat the aforementioned steps you used with the tail. Create aNew Layer and Clipping group information technology to the base color layer, and then, using theBinary tool, make the base centre shadows and night shadows. You can either stay on the same layer for drawing highlights, or create aNew layer for them.

Working on a mane Working on a mane Working on a mane

Gradually work on the highlights and add one more than hue to make an interesting event. I used the same emerald light-green as with the Pegasus tail.

As well it's a good time to work on other details like the hooves and Pegasus's centre. We can make them look golden, just with the use of a dark yellowish hue plus white.

Finished pixel coloring of the mane Finished pixel coloring of the mane Finished pixel coloring of the mane

Our progress, for now, looks pretty skilful. And as we've finished with the torso of the Pegasus, let's motion to the wings.

Finished pixel coloring of the body Finished pixel coloring of the body Finished pixel coloring of the body

Step half dozen

And over again, create aNew Layer on top of the wing base color layer and Clipping group information technology to the base color layer.

At get-go, choose a color palette to piece of work with. Two main colour variations are enough. In this instance I chose purple and emerald green, equally for the tail. At this stage you can draw without worries—we demand this step only to lay downwards all base colors for the fly. You tin can likewise piece of work on the basic design for the feathers, pointing out color placement.

Placing base colors and main pattern Placing base colors and main pattern Placing base colors and main pattern

When nosotros take all the basic colors in their places, nosotros tin can continue detailing the feathers. Also, to make the working process more comfortable, y'all tin use theRotate tool to achieve better admission to some parts of the drawing.

Main pattern of the second wing Main pattern of the second wing Main pattern of the second wing

And... done!

Both wings are finished Both wings are finished Both wings are finished

3. Proceed Detailing

Step ane

We tin make the wings more realistic by calculation details to the feathers. Look at existent-life birds—they all have these jagged edges on their feathers. Merely create aNew Layer on top of all layers and use theBinary tool to go along drawing.

Details for the feathers Details for the feathers Details for the feathers

Step 2

Likewise, to carve up and distinguish the wings from each other, we can draw a white line between them, and too with the mane. Mostly, we may draw this line to split parts that have the same color palette, similar wings, mane and tail.

Separating wings and mane Separating wings and mane Separating wings and mane

Pace three

Also, there is a cluttered place on the drawing that we shall fix. Create aNew Layer for that and take theBinary tool to describe on this spot. Make the wing await every bit if it is on acme of the tail, and don't forget about a white separating line to distinguish the wing and tail.

Fixing the problem spot Fixing the problem spot Fixing the problem spot

Step four

And finally, let'southward make a pale yellow stroke effectually our Pegasus to emphasise the cartoon.

Adding pale yellow stroke Adding pale yellow stroke Adding pale yellow stroke

Awesome, We've Washed it!

Now you know how to work with the Binary (or you lot may observe it equally Pixel) tool in the Paint Tool SAI program. I promise this tutorial was helpful and yous learnt something new about the topic. Adept luck, and have fun with pixels!

Finished pixel art Finished pixel art Finished pixel art

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Source: https://design.tutsplus.com/tutorials/how-to-create-pixel-art-in-paint-tool-sai--cms-25526

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